Such spaces are the building blocks of Michael Craik’s practice. For ten years he has worked from a coastal studio in Fife overlooking the Firth of Forth estuary, methodically creating his minimal paintings. Bordering this expansive body of ever-changing water and light, subconscious associations result in intuitive decisions that inform the colour and design for each painting. From the first idea to the final layer of paint, temporal spaces fill the gaps created by a repetitive process of brushing, pouring, sanding and waiting. During such intervals, new directions materialise, leading to alterations in hue, saturation and tone. At a basic level Craik is painting space.