Elaine Speirs was born in Johannesburg and moved to Paisley as a child. Her childhood experiences in and between these two places spurred an interest in the themes of fragility, contradiction and reinvention that recur throughout her work.
Speirs explores the stark contrast she observes between the rich contours of female personhood and the depersonalised portraits of women that appear in the public sphere. Referencing a variety of imagery – ranging from eighteenth century portraiture to contemporary photography and film – the work reclaims the fleeting moments of humanity Speirs glimpses in these images, establishing a tentative connection between the distant and the intimate, between the universal and the personal.
Beautiful Regrets has an uneasy coexistence of contradictory states: strength and vulnerability, loneness and hope, love and despair. Speirs examines these tensions by capturing fleeting moments of humanity with Franco Zeffirellis 1968 film Romeo and Juliet.
Speirs examines these tensions by employing a dynamic technique of wiping and layering that suggests the human process of erasure and reinvention. We are left with a series of momentary resolutions that contain both clarity and a sense of contingency.
Speirs trained at Edinburgh College of Art and the Slade School of Fine Art in London.