Artist Paul Snell believes the pause, the gap and the omission are increasingly significant in our saturated image driven society.

Through Snell’s work the daily saturation is replaced by selective sensitisation. These pieces continue his exploration of non-representative forms and examines the possibilities of abstraction and minimalism in photo-media. The work investigates the transformation of photographic modes of production and the manipulation and exploitation of data to invent new visual forms. By rhythmically repeating, pairing, overlapping, reversing and sequencing through the investigations of specific colour relationships, Snell seeks a sensory understanding of the physical object. These pieces are not representations of certain realities; they are their own reality.